Planned Browning of Whitey – Diversity is Codeword for Destructive Degradation

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Okay, go.
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Bonjour and welcome to another one of my
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videos. Today I'm going to explore Mare
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Barbs, a place just north of the Garden
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North. If I didn't tell you this was in
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Paris, would you really know this was
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Paris?
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You've just arrived off the Euro Star
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Tunnel and you're thinking of not
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getting a taxi or the metro into a nice
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part of Paris. I want to show you what
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the neighborhood around the Garden looks
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like. I want to show you what happens
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when you head directly north from the
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Garden. We can ask the question later.
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Does this neighborhood feel French or
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does it feel like Paris? I can tell you
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now there are many, many neighborhoods
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in Paris that feel very very French. So,
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not all of Paris is like this, but I
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want to give you a perspective on what
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the neighborhood just north of the
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Garden is like. That's what we're going
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to do.
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As you come out the front of the
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station, this is the perfect place to
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get taxis or an Uber or just to get out
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of this neighborhood. As you will see,
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this area at the front has problems. But
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what we're going to do is we're going to
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head north. So, we're going to go to the
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back of the station and walk from there.
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I had to have that.
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This is a market that goes on not every
Marché Barbès
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day, but it's certainly because it's
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Sunday and it's happening. And I think I
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thought it would be interesting to have
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a look at this market. Now, what you're
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going to find is it's probably easy to
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describe this while we're here because
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it's going to get really busy here and
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it's probably going to be very difficult
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to describe when we're over there. Yeah,
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these guys are legitimate. They've got
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licenses. Yeah, I was just about to ask
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about that. So, this is this man has
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paid for a license. They paid for a
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license. So they don't mind being on
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camera. These guys here are on the
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cleanup crew because at 2:30 the market
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ends and the cleanup means takes could
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take all day, but there's a lot of money
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spent on cleanup. Start seeing people
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packing away. But the people in the
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middle that will just be selling on
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boxes, they don't have licenses. They
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won't like you filming. So they think
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you they might think you're the cops.
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They might think you're council. So just
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bear that in mind as you're pointing the
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camera in the direction. Most people are
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just going to hopefully think you're
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just a tourist and just sort of look
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away. They might hide their faces, but
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some of them will say, "Stop filming.
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Stop filming." So, just bear that in
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mind. Do they get in trouble sometimes,
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get ticketed or any type of content? The
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theory is yes, it does happen. But
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here's the thing. They're undercutting
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the people that are paying their
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licenses. So, the amount of money it
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takes to clean up these sort of areas is
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huge. This is Marabs. To the casual
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observer, it looks like a market. This
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is not the romantic Paris of fresh
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baguettes and arteisal cheese. It is
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super crowded in here. We're basically
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under a bridge. This bridge train will
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take you from the Garden station, take
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you uh take you east to take you west.
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Where's a train? We're underneath those
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train tracks. During night, wouldn't
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really want to be here. But daytime,
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it's a market, bustling market. You
The Market we Lost
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won't find neatly created displays or
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charming French chatter drifting through
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the air. What you find here is raw,
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unfiltered, unmanaged survival. The
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stores sell mostly food, vegetables,
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fruit, raw meat. Piles of onions are
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stacked next to battered crates of
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tomatoes. Fish is on display. The smell
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hanging heavy in the air, blending with
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exhaust fumes, and the subtle
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undercurrent of decay. Occasionally,
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you'll see cheap clothes, low-grade
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textiles shipped from factories
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thousands of miles away. But make no
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mistake, this is not commerce in the
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traditional sense. This is a byproduct
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of demographic engineering, a market
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zone designed, intentionally or not, to
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fracture the city, to displace its
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heritage, to dilute the nation. People
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call this multiculturalism. But that
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word has been weaponized to conceal the
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truth. What's happening here is not
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cultural exchange. It's the construction
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of an economic zone carved out of the
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city's fabric, where the French language
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is barely heard, where customs of the
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republic vanish behind a sea of
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transient faces. But there's another
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layer beneath the fruits and fish. The
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crime, petty theft, pickpocketing,
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trafficking. The locals know it. The
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authorities tolerate it. Pretty much
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ignore it. The tourists, of course,
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avoid it. And for those of us who dare
He Doesn’t want me to Film
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to film it, resistance is immediate.
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I'm a tourist.
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So, ignore that guy. Can I speak with
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you? Yeah, sure. When I go to to Stanul.
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Yeah. Last year.
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Yeah. I got off the the tram with my
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with my wife. Let me take the film.
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Yeah, sure. But this is Paris. Paris is
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fine. The the citizens Turkish woman
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take me my uh my phone. Okay. Okay. But
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that's that's Eastern B that used to be
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called Constantinople.
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Used to be used it used to be Christian.
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Now it was Islamic. Here is still a
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Christian country where freedom of the
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freedom as freedom of press is still
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allowed. Yes. For yourself. Oh yeah. The
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photo. Yeah. Yeah. Still allowed. We're
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in a public place. Don't worry. Where
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are you from originally? I was born
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here. Yeah, but where's your But I am
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from Algeria. Algeria. Yeah. In Algeria
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might be forbidden, but in Paris is
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fine. Where do you come from? I'm an
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Englishman. English. English. Yeah. I
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have brother to Leighton. Leon.
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Leighton. Oh, Leighton. East London.
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Yeah. Very very Leighton. Leighton. I
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know Leighton. East London. Yes. Uh,
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East London. East London. Very diverse
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area. Leighton. Okay. I could be have uh
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uh but uh the life is very expensive
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from here. Is it cheaper in Paris for
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you?
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Come see. Come sir. I think
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but thank you sir. Be careful. There is
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a big pocket. I know. I know. There is a
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lot of pitch pockets. I know. Be
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careful. Yeah. I can't imagine why. I
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will be very careful. Have good
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bonjour. Bonjour. this here.
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Turn an enemy into a friend. Usually
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that's how you have to roll.
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What I find amazing is um how people
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look how how refrigerated you think that
Hot Meat
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is.
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This meat some of the places you'll see
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will be sitting inside.
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Yeah. And like because it's not has the
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temperature I guess bacteria grows,
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right? Those who still cling to the
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picture postcard image of Paris really
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haven't walked these streets. Here at
The French Never Voted for This
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Mare Barbs, we see a different kind of
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Paris, the result of decades of managed
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decline, demographic engineering, and
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the silent dismantling of the nation
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state. They call this diversity. They
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call it progress. But let's speak
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plainly. What you see here is a product
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of policies the French never voted for.
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The deliberate mass importation of
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people, not by invitation of the public,
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but by decree by distant bureaucrats and
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globalist technocrats who never set foot
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in places like this. Europe, they told
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us, and lied to us, needed labor. The
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cities needed vibrancy. Borders, they
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insisted, were outdated relics of a
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darker past. And so over decades a tidal
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wave of migration reshaped the
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continent. Not through consent, not
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through democratic will, but through
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quiet systematic imposition. Today in
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cities across Europe, in Berlin, in
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London, here in Paris, entire
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neighborhoods no longer reflect the
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nation they belong to. They function as
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economic zones designed to provide cheap
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goods, cheap labor, and conveniently
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fractured communities where unity
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dissolves and the shared identity that
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once bound a people erodess with every
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passing generation. And the architects
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of this change, well, they call it
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multiculturalism, but behind the
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slogans, what's really being built is a
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new social order. one where nations
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dissolve into markets, where citizens
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are replaced by consumers, and where
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heritage is slowly traded for
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instability and manage chaos. Look
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around Mare Barbs and ask yourself, did
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the French really choose this? Did the
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people of this city vote to lose their
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language on these streets? Did they seek
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to transform their capital into a
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labyrinth of disconnected enclaves? Or
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was this transformation imposed quietly,
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persistently behind the curtain of
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politics and propaganda?
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Here we go. These guys, these guys right
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here probably we didn't see them back
Illegal Street Selling
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there cuz the police would have made an
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appearance. These guys don't have
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licenses. So this guy's going to be now
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he's going to say yeah.
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[Music]
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So you if you want to get something even
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cheaper then I
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do have careful that guys really
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careful. Yeah the guy so
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the guys the guys on the side have a
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license. The guys in the middle they
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don't have a license.
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So, you know, selling tins of tuna,
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shoes.
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I mean, from a perspective, they got to
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start somewhere. But at the same time,
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they're undercutting legitimate
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people.
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You'd think in a democratic society, in
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a public space, filming would be
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unremarkable. But here, hostility
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simmers just beneath the surface.
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Cameras are met with suspicion, anger,
Cameras are met with Suspicion
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and even aggression. One has to ask what
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is being hidden or perhaps more bluntly
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what has been allowed to fester under
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the guise of social cohesion. France
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prides itself on liberty on openness on
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debate. Yet in Mare Barbs the only thing
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open is the market. The rest fear
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mistrust and parallel systems thriving
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outside state control.
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No filming no.
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Okay.
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Look around. The infrastructure groans
Veils Under the Bridge
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under the weight of the crowd. The
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streets are littered. The buildings
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neglected. And the city's civic order
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dissolves in the face of numbers and
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political inertia. The truth is this
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isn't an accident. This didn't happen
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overnight. This market, this demographic
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shift, this lawlessness is the result of
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policies designed to turn parts of Paris
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into economic zones, cheap labor, cheap
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goods, fractured communities, and a slow
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systematic erosion of Western cohesion.
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I'm pretty sure that in France it's
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illegal to cover your identity, right?
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Uh, yes. So, the the burka is the
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burka's been banned in France. Uh, it's
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been banned in Switzerland as well. But
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they all wear them though. They do. You
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might notice.
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Why no filming?
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She's just tourist. Just tourists, you
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know, taking in the culture. What?
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Tourist.
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But what's the problem?
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Okay. Okay. Okay. Okay. Okay, sir. Okay.
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on the freeway. Hey, just relax. He's a
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tourist.
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Just a tourist.
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He's a tourist. She's a tourist. Yeah,
Lawbreakers Everywhere
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that's fine. Yeah.
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Oh, yeah.
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Just play innocent because
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the the worst thing you could say is if
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you're a journalist. And there's a
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reason for this because everything
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they're doing is is entirely illegal.
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I've been hearing. Okay. So, like you're
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saying that it's illegal. They still do
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it. Yeah. I mean, we're getting we got
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to be quick here. This is there's a lot
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compared to back there. Everyone here is
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breaking the law. As we walk past the
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entrance to Barb's loll out of the
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corner of my eye, I'm seeing it quiet,
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casual, like it's normal. Smokes being
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sold through the fence to people
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stepping off the metro. A little further
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down the drug deals, not hidden, not
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subtle, just happening. The cameras
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might not catch it, but it's there every
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single day. It's there. And here's the
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question no one in power seems willing
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to answer. Why does this go on? When the
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police walk past, and it's rare when
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they do, they know. The politicians,
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they know this is around the corner from
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the Euro Star Terminal for God's sake.
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Tour buses pass this every single day.
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Taxis pass this every single day. So
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that basically means important people
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pass this every single day. But then
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again, this isn't just a Paris problem.
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It's international. It's tolerated. It's
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designed. Why do the so-called global
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leaders, the globalists, the defenders
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of progress allow lawlessness to rot
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European cities from within while
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preaching safety, order, and unity? Ask
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yourself that. This is where you really
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need to be careful.
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Yeah.
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[Music]
How much are Smokes?
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Expensive. Very expensive.
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Madam no.
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Okay, mate.
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And they probably want to uh steal the
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camera, too. Oh, absolutely. Have
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footage. Yeah. Yeah.
We only have Europe
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Europe is our only home. It's not just
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geography. It's blood, history, memory,
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and sacrifice layered over thousands of
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years. Africans have Africa. Asians have
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Asia. But Europeans strip away Europe.
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and we have nothing. The lie they sell
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is that Europe can survive with
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different people, different values,
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different loyalties, that borders are
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just lines, nations are just paperwork,
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and cultures can be traded like
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products. But history teaches the
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opposite. When the founding people are
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replaced by force, by policy, by
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negligence, the civilization dies, even
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if the land remains. Europe is great
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when the doors are ajar, not flung wide
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open. A sprinkling of hardworking
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migrants. People who are willing to
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adopt, to contribute, to preserve. They
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can enrich the story of those who take,
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who drain resources, mock the culture,
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refuse to integrate. They don't just
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take food or shelter. They take the
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future. They extract trust, safety,
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identity until Europe is unrecognizable
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to its own descendants.
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We're told to celebrate this by the
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left, but celebrate what exactly? An
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imported market, a city in retreat, a
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society that no longer dares to speak
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its own language in its own capital.
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Here, the only thing fluent is the
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transaction and the creeping certainty
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that the France of history of heritage
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is being methodically replaced. This
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isn't theory. It's happening.
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Demographics are destiny. You replace
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the people, you erase the nation, you
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lose Europe. There is no plan B. There
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is no next homeland. This is it. Behind
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the slogans of diversity and inclusion
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and diversity is a strength is a
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different reality. A carefully managed
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decline. Heritage is being traded for
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globalist economics. Culture displaced
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by engineered demographic churn. And the
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French, the French avoid it. They
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retreat into the enclaves of what
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remains of their nation. Meanwhile, the
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market operates as a glimpse into the
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future. One where the city state
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replaces the nation. where identity
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becomes transactional and where Paris
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fractures into zones of convenience,
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disorder, and silent resentment.
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Marshy Barbs doesn't reflect Paris
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evolving. It reflects Paris
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surrendering. Next time I'm back in the
Thank You to @angelarooseee and my Supporters - Tune in for next time!
17:29
neighborhood of Chat Rouge, so stay
17:31
tuned for that. You might remember I was
17:33
there before. I wanted to show you guys
17:35
again just in case anything's changed.
17:38
So stay tuned for that. Click that
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subscribe button, click the like button,
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leave a comment, and hopefully I will
17:45
see you in the next video. Special
17:47
thanks for Angela Rose for helping film
17:49
today. Click the subscribe button to see
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more of her in the next video. Until
17:54
next time, keep progressing.